Each year our graduate department gives awards for fiction and poetry, and this year I placed first in poetry for this poem “Helen of Troy.” All the award winners are reading this Monday night at 7:00 in the University of Tennessee auditorium. These readings are always stellar, and this year should be no different judging from my compatriots who will also be reading. The reading includes: Josh Robbins (second place--poetry), Darren Jackson (third place--poetry), and in fiction we have my fiancĂ© Adam Prince placing first, with Turning Bowling (second place) and Matthew Duffus (third place).
This is an older poem of mine that serves as the sphragis to my chapbook Last Night. Sphragis is from ancient Greek and literally means a seal placed on books. I view the contemporary sphragis as that opening poem that conveys the book’s subject and tone; the poem is also placed before the sections such as with “Temper” from Beth Bachmann’s book Temper.
This poem is one that I wrote, published, “finished,” and then two years later as I was driving a new ending came to me. Subsequently, the new ending required a whole new re-working of the poem such as changing the point of view. (I first wrote it from the point of view of Helen.) I was not working on any conscious level on this poem, but a part of me knew it was not right. Now, let me be clear. I don’t believe in easy poofs to write a poem, but for this one in particular it was an odd mix of editing, editing, editing—and letting go.
Also, the reading on Monday night will be the release of issue three of Grist (the journal I edit). We’ll have copies on sale and unveil the new look of the journal. And the writers in this issue are excellent—more on all of this in the next blog. For now, here is my poem.
HELEN OF TROY
By Charlotte Pence (Published in New Millennium Writings)
The Trojans kept Helen for twelve years,
winning at least a little while.
So often we focus on the loss
rather than the years of attainment.
But any love that matters will one day
be taken for granted. Last night,
lying down to sleep next to you
on wrinkled sheets, warm where
the dog curled, cold by our feet,
I realized as your hand grazed my thigh
you hadn’t touched me all day.
Each morning when I wake I understand
you’re like an eagle scanning the next ridge.
The bed heaves as you rise first,
your steps hard, stiff, while the erupting
sky behind you eases from gravel gray
to blue. You don’t glance back
at the soft curve of my body,
not yet rigid with the day’s to-dos.
What you do is place cereal and fruit
in a bowl, then call my name.
The milk cold. The peach sliced.
Without motive or need
we sleep, eat, read, breathe together,
you running a hand under my shirt
whenever you want. But I was talking
about Helen, about how she loved
as she wished at least once, willing
to witness the loss of a world for it.